As a chess game searching for retribution for past love, this inditement of self-love is the embodiment of modern pop. Produced by Owain Felstead, its infectious concoction slaps your mind with silky synths and forceful dips of bass. A constant battle between contemplation and euphoria, Macy finds newfound strength.

Looking through the lyrical kaleidoscope of loneliness, the track’s melancholic heart is enlightened by sunbeams of electronic. Disorienting the senses with a whirling variety of textures, balancing heady synths with rumbling bass to express the foolishness of love.

Low Girl has come a long way since she began writing songs at the age of 12; her debut EP, ‘Big Now’ is not merely a statement of her maturity, but a way for her to display ownership over her song writing, which she describes as a ‘coping mechanism’. Delicately vulnerable, yet defiantly expressive, she bares herself to her audience, speaking of fears, insecurities and doubts that plague our generation. Intermixing alt-pop quirkiness with gentle indie-folk, Low Girl’s sound is thoroughly modern – displaying her wide musical interests and mastery over a range of expressions. 

An attack on the apathy which has become ever-present in the pandemic, this addictive alt-pop single is driven by vibrating synths and exploding textures. Moving from simplicity to an orchestrated mess of percussion, bass and sparking keys within just a verse. Radiating the energy caught within Love Girl’s deep, honey-soaked vocals, this track is an unstoppable train rolling down the tracks with its gaze set on smashing into all of your favourite playlists.