Following in the footsteps of her previous release ‘Nunchucks’, this shimmering bubble of strength will immediately have you moving in time with its crushing percussion. Paired with lyrics that skip through the minefield of depression following a loss of income that naturally came with the pandemic, it's utterly intoxicating.

Taking inspiration from the metallic twangs of 70s synth, Wotts exude a modest confidence in their latest track, ‘Before’. There’s an emphatic sense of musical security – this Canadian duo have certainly found their sound, and they’re not afraid to be playful with it. There’s a delightful curiosity to the track’s production, with digitally-enhanced echoes and harmonies underscoring vocalist Jayem’s hazy contributions in a psychedelic trip through the trials and tribulations of a long-term relationship.

If there’s ever a season to characterizes Sol Paradise, it’s undoubtedly the oozing rays of perpetual Summer. Though ‘Sol’ may be a giveaway clue, the similarity lies in his ability to recreate the sumptuous stickiness of adventure through sound. Reverberating guitar lines echo in perpetual wah-wahs, paired resplendently with light, heady vocals and the velvety lushness of brass.

Light and bouncy, ‘No Feelings’ opens with the elastic rhythms of syncopation. It’s a credit to his production background that Quietlove – otherwise known as Brendan DiStefano from Toronto – can so effortlessly glide between musical genres without losing sight of the overall picture. Alt-pop vocals are paired with undulating percussions that take the listener to the different recesses of his creative process.

Finding their niche in the unapologetic riotousness of heavy rock, Mild Headache release explosive new track ‘Near Me’. It’s angry and it isn’t afraid of making a scene, but there’s a tenderness to the melody. Lingering in the melancholic shallows of minor keys, the trio dwell upon a deep and considered humanity through their lyrics. “You’re in love with the sound of sympathy”. It’s a feeling no doubt shared by many, with the unidentified protagonist resonating in different ways across the garage rock diaspora.

Taken from this nomad’s sophomore album, Exoskeleton, it’s the musical equivalent for your first coffee of the day. Filling your bones with equal measures of energy and apprehension as you join his cries of not deserving joy, this brew of slow whirling guitar and rich accented vocals wash over your senses.

A push and pull between the brain and heart, this song was co-written with Ashley Ivor Parris is an electronic storm of confusion. Flourishing through the lyrical friction and percussive abrasion, this German-Latvian singer screams echo a forced acceptance that she is nothing, although her music proves that she is nothing of the sorts.

For a track about the “cyclical relationship we have with our vices”, there’s joy at the core of ‘Lucky It’s Love’ - the latest track from Indie-Pop quartet Out At Sea. Opening with the anticipatory pace of lightly-caressed cymbals, instrumental layers slowly merge together in a jubilant cacophony of sound.

If Primal Scream’s Bobby Gillespie gives you a nod of approval, you better believe that you are doing something right, and Modern Guilt are knocking it out of the park. It’s almost unbelievable that this is their first EP, for their sound already has a level of maturity that makes it both distinctive and confident in its ambition. Hence, it is no surprise that the band has already acquired a country-wide following among music critics and fans alike, all hungrily lapping up their deliciously bluesy Rock’n’Roll.

Formed in the middle of the pandemic, Young Decades are undeterred by the turmoil of the world, defiantly continuing their steady rise within the music scene. Their explosive, anthemic sound has been praised by BBC Introducing, Amazing Radio and BT Sport, the latter of which featured their track “Sinner” in the UEFA Europa League Final coverage. With their debut EP release achieving over 100k Spotify streams in just a few months, it is evident that Young Decades are destined for a bright future. 

Back from a COVID-induced hiatus, Ben Scott – aka Cassicus – is ready to build up on the success of his debut single “Torn” with another electrifying track, “Right To You”. Having garnered praise from BBC Introducing, this ex touring drummer continues to deliver bright, danceable tracks with a strong beat and a palpably vivacious energy. 

Following the release of her 2020 debut EP, “The Almost Real”, GIYA is back with an accompanying music video for her track “Blood”. Exploring the perils and disquiet of urban lifestyle, the track captures the paranoia and dizzying anxieties of forgotten nights. Our worst fears are presented in a Tarantino-esque reimagining, narrated by GIYA’s engaging vocals. 

John Jin Han writes about simple, everyday things with grace and sensitivity, balancing introspection with resonant storytelling. A member of the Isla Vista Worship collective, John’s music is rooted in his Christian sensibility and serves as an expression of his inner-self. His latest album – “Days of Youth” – captures the wistful spirit of days gone by, shedding light on the hopes, fears and euphoria of youth. 

Gus Leifeld is part of an emerging generation of songwriters who are unafraid of intermixing vulnerable self-reflection with a playful, DYI approach to music. Despite being only 18 years of age, Gus’s lyrics are as sharp and amusing as they are relatable, bringing in a distinctive energy and personality to the musical landscape of today. This Minnesota native began to write and produce music after school and continues to build on this with live performances and a steady stream of fresh, shoegaze-like tracks. 

If you’re feeling down and in need of that warm summer feeling or the collective euphoria of a music festival, you should tune in to The Koalaz. This Dutch four-piece is sure to revive your spirits with their dazzling blend of psychedelic indie-rock, old school reggae and danceable pop, a blend so radiant it may cause a sunstroke. Deprived by the pandemic of the opportunity to perform live, the band focused on writing music that would inject a sense of collective energy and glee into their lonely listener, and “Lately” is sure to do just that.

Named one of The Guardian’s ‘Artists for 2020’, Meggie Brown is well deserving of this title. Their music is not only innovative and idiosyncratic but stands as a vivid reflection of our age and its concerns. Written during the isolating and claustrophobic times of lockdown, Meggie’s upcoming EP “Home” is the product of deep inner-search and reconciliation with their Transgender identity, striving to sonically capture the non-binary nature of their experience.